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b. 215
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composition: (Op. 4), Sonata in C minor, Mvt I
..
In A the arpeggio wavy line is on the right of the chord. According to us, it does not influence the meaning of this mark, hence we reproduce this notation only in the graphic transcription (version "transcript"). The editions put this mark in its regular position, before the chord. category imprint: Interpretations within context; Differences between sources issues: Inaccuracies in A |
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b. 215
|
composition: (Op. 4), Sonata in C minor, Mvt IV
..
The notation of the 2nd L.H. crotchet is unclear in A – it seems that is has two stems, one pointing upwards, and the other one pointing downwards, as well as a wedge under the note. However, the alleged stem pointing downwards is probably only an element resulting from the motion of writing a note on a ledger line (cf. bars 9 and 12, as well as 133-134), hence we could assume that we are dealing here with an E category imprint: Graphic ambiguousness; Differences between sources issues: Wedges , Inaccuracies in A , Partial corrections |
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b. 215
|
composition: (Op. 4), Sonata in C minor, Mvt IV
..
In the main text, we do not include the inauthentic R.H. fingering added by EE1 and complemented in EE2. category imprint: Differences between sources issues: EE revisions |
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b. 216
|
composition: Op. 43, Tarantella
..
In A there is no category imprint: Differences between sources |
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b. 216
|
composition: Op. 43, Tarantella
..
In all sources except GE4 redundant category imprint: Differences between sources; Editorial revisions issues: Cautionary accidentals |
note provided with a wedge and with a stem pointing upwards. On the other hand, the version with a stem pointing upwards is incorrect in this case, while the wedge is questionable if we take into account the clear dots written under or over the bass notes in this and the next bars, which leads to the following hypothesis: Chopin wrote this E
lowering g to g
in the LH part.