



b. 215-218
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composition: Op. 31, Scherzo in B♭ minor
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In the main text we reproduce the category imprint: Differences between sources; Corrections & alterations issues: GE revisions , Authentic corrections of FC |
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b. 215
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composition: Op. 44, Polonaise in F♯ minor
category imprint: Differences between sources |
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b. 215-216
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composition: Op. 49, Fantaisie in F minor
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As in bars 199-200, the pedal markings were probably added to A after the basis for FE had been finished, that is [FC]. In EE2 the marks were added after comparing it with GE1. category imprint: Differences between sources; Corrections & alterations issues: GE revisions |
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b. 215
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composition: Op. 49, Fantaisie in F minor
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In A the slur reaches only the 1st crotchet in the bar, which was repeated by all editions. According to us, it is, however, the most glaring example of the inaccuracies concerning the A slurs in this section – cf. the slurs beginning too early or ending too soon in bars 200-201, 204 and 206 as well as at the beginning of lines in bar 203, 213 and 219. Due to this, in the main text we give a slur reaching the 2nd crotchet, in accordance with the musical sense – cf. bar 199. category imprint: Editorial revisions issues: Inaccurate slurs in A |
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b. 215-218
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composition: (Op. 4), Sonata in C minor, Mvt I
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In the main text we omit the inauthentic R.H. part fingering added by EE. category imprint: Differences between sources issues: EE revisions |