|
b. 216-217
|
composition: (Op. 4), Sonata in C minor, Mvt IV
..
In the main text we reproduce the 5 staccato marks – undoubtedly dots – entered into A. In GE (→IE) the mark at the beginning of bar 217 was omitted, while the remaining ones were reproduced as wedges. The absence of the marks in FE (bar 216) and EE1 (in both bars) is due to the engravers' mistakes. In EE2 marks were added in the places in which they are present in GE, yet dots were used, as in bar 215. category imprint: Differences between sources issues: EE revisions , Errors in FE , Errors in EE , GE revisions , Wedges |
||||||||||||||
|
b. 216
|
composition: (Op. 4), Sonata in C minor, Mvt IV
..
At the beginning of bar 216 and 220 in the main text we keep the typical, simplified A rhythmic notation. In GE (→FE,EE,IE) the rhythmic value of the top note was changed to a crotchet, most probably in order to complete the top voice rhythm. category imprint: Differences between sources issues: GE revisions |
||||||||||||||
|
b. 217
|
composition: Op. 43, Tarantella
..
Given g category imprint: Interpretations within context; Differences between sources |
||||||||||||||
|
b. 217
|
composition: Op. 43, Tarantella
..
Similarly to bars 25, 41 and 201 we add cautionary category imprint: Editorial revisions |
||||||||||||||
|
b. 217
|
composition: Op. 39, Scherzo in C♯ minor
..
FE1 does not have category imprint: Source & stylistic information issues: Errors in FE |
in the previous and next bars, we may assume that also the middle note of the chord in the second half of b. 25 was intended by Chopin to be g
. However, the g version is no less musically satisfactory, and so, assuming Chopin did not make a mistake, we provide this version for the main text.