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b. 299
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composition: Op. 11, Concerto in E minor, Mvt III
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The missing slur in GE1 (→GE2) is probably an oversight of the engraver. A shorter slur was added in GE3 on the basis of comparison with analogous bar 71 or with the part of violins I in FEorch (→GEorch). category imprint: Differences between sources issues: Errors in GE , GE revisions |
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b. 299
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composition: Op. 11, Concerto in E minor, Mvt III
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The staccato dots with which GE3 provided the quavers in both hands in the 2nd half of the bar are an arbitrary addition of revision. category imprint: Differences between sources issues: GE revisions |
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b. 299
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composition: Op. 11, Concerto in E minor, Mvt III
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The accent in GE is a revision or a mistake, which, according to us, is more likely. category imprint: Differences between sources issues: Errors in GE |
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b. 299
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composition: Op. 44, Polonaise in F♯ minor
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The missing dot prolonging the bottom note of the octave, a2, despite the semblance of righteousness – in FE the bottom note is a quaver – is almost certainly an oversight. Wherever similarly written-down octaves (i.e. in two-part notation) are provided with dots, they are present next to both notes of an octave, irrespective of the notation of a given octave (one- or two-part). category imprint: Differences between sources issues: EE revisions , Errors in FE |
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b. 299
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composition: Op. 2, Variations, complete
category imprint: Differences between sources issues: Errors in GE |
