



b. 216-217
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composition: Op. 21, Concerto in F minor, Mvt I
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The slur of A is written inaccurately – its ending part includes a one and a half centimetre gap, resulting from ink stoppage, whereas in bar 217 (on a new page) there is no ending of the slur. In this situation, an erroneous interpretation of the slur in the editions was practically decided. In some of the impressions of GE1a, the slur in bar 216 was extended, so that it suggests a continuation. It seems to be a random result, since the ending of the slur in bar 217 was not added. category imprint: Graphic ambiguousness; Differences between sources issues: Inaccurate slurs in A |
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b. 216
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composition: Op. 21, Concerto in F minor, Mvt I
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The last three semiquavers in A (→GE1→FE) are devoid of accidentals. This inaccurate notation, characteristic for Chopin particularly in his early pieces, was corrected in EE and GE2. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE , Accidentals in different octaves , GE revisions , Cautionary accidentals |
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b. 216
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composition: Op. 11, Concerto in E minor, Mvt I
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The fingering digits present in EE and FEH and those written in FED and FEFo undoubtedly denote the same fingering. In the main text, we give the indications whose authenticity is most likely (FEFo and FED). category imprint: Differences between sources issues: Annotations in teaching copies , EE revisions , Annotations in FED , Annotations in FEH , Annotations in FEFo |
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b. 216
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composition: Op. 11, Concerto in E minor, Mvt I
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In EE, indicating a fingering digit only on the last note of the bar suggests that it is the previous scheme that applies to the previous ones, which results in the 3rd finger on f category imprint: Differences between sources issues: Annotations in teaching copies , EE revisions , Annotations in FED |
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b. 216
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composition: Op. 16, Rondo in E♭ major
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We add a cautionary category imprint: Editorial revisions |