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b. 214-216

composition: Op. 21, Concerto in F minor, Mvt III

Long accents in A

Accent &  in GE1 (→FE→EE)

Different accents in GE2
..

The signs under the chords in the L.H. in bars 214 and 216 in A are typical long accents. In GE (→FE→EE) the first of them was reproduced as a short accent, whereas the second one as a . In GE2 the latter was shortened – most probably after A – so it can be considered a long accent.

category imprint: Differences between sources

issues: Long accents , Inaccuracies in GE , GE revisions

b. 214

composition: Op. 11, Concerto in E minor, Mvt I

..

In the main text, we add a cautionary  before d3. In GE and EE2 (→EE3), in turn, less justified sharps before the 2nd semiquaver f2 and the 2nd quaver f1 were added.

category imprint: Differences between sources; Editorial revisions

issues: EE revisions , GE revisions , Cautionary accidentals

b. 214-215

composition: Op. 16, Rondo in E♭ major

Dashes in FE (→EE)

No marks in GE
..

In GE, there are no dashes marking the range of diminuendo. It is most probably an arbitrary revision of the editor, since there are no dashes in the entire source.

category imprint: Differences between sources

issues: Inaccuracies in GE , GE revisions

b. 214-215

composition: Op. 11, Concerto in E minor, Mvt III

Fingering written into FEH

No fingering in FE (→GE)

Fontana's fingering in EE
..

In these bars, the fingering of FEH could have been written by Chopin, hence we include it in the main text. It is compliant with Fontana's fingering in EE.

category imprint: Differences between sources

issues: Annotations in teaching copies , EE revisions , Annotations in FEH

b. 214-218

composition: Op. 11, Concerto in E minor, Mvt III

..

In the main text, we add cautionary sharps before d​​​​​​​ in bars 214 and 218. The accidentals were added both in GE and EE; however, there is no  in bar 218 in EE1 (it appears only just in EE2).

category imprint: Differences between sources; Editorial revisions

issues: EE revisions , GE revisions