



b. 215
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composition: Op. 11, Concerto in E minor, Mvt I
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In the main text we include the fingering digit written probably by Chopin into FEFo. Fontana's fingering is undoubtedly compliant with this annotation. It does not influence the evaluation of its authenticity – according to us, the likelihood that Fontana had any authentic source concerning this issue at his disposal is marginal. category imprint: Differences between sources issues: Annotations in teaching copies , EE revisions , Annotations in FEFo |
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b. 215
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composition: Op. 11, Concerto in E minor, Mvt III
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This way of marking the strike of adjacent white keys with the 1st finger is also to be found in other pieces by Chopin, e.g. in . category imprint: Differences between sources |
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b. 215-218
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composition: Op. 31, Scherzo in B♭ minor
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In the main text we reproduce the category imprint: Differences between sources; Corrections & alterations issues: GE revisions , Authentic corrections of FC |
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b. 215
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composition: Op. 44, Polonaise in F♯ minor
category imprint: Differences between sources |
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b. 215-216
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composition: Op. 49, Fantaisie in F minor
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As in bars 199-200, the pedal markings were probably added to A after the basis for FE had been finished, that is [FC]. In EE2 the marks were added after comparing it with GE1. category imprint: Differences between sources; Corrections & alterations issues: GE revisions |