b. 296-297
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composition: Op. 21, Concerto in F minor, Mvt I category imprint: Differences between sources issues: Inaccuracies in GE , GE revisions |
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b. 296
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composition: Op. 21, Concerto in F minor, Mvt I
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In the main text we add a cautionary before b2. category imprint: Editorial revisions |
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b. 296
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composition: Op. 21, Concerto in F minor, Mvt III
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A has an a1 as the last note in the L.H. It is almost certainly a mistake – cf. analogous figures in bars 300, 302 and 304-306. Mistakes in the number of ledger lines are the most frequent pitch errors committed by Chopin (excluding those related to the notation of accidentals). GE (→FE→EE) features the correct text, which can be ascribed to Chopin's proofreading or a fortunate mistake, since there are no visible traces of correction in print, whereas the note in A, despite three ledger lines, is written lower than the previous g1. category imprint: Interpretations within context; Differences between sources issues: Errors resulting from corrections , Terzverschreibung error , Errors in the number of ledger lines , Errors of A , Authentic corrections of GE |
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b. 296
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composition: Op. 21, Concerto in F minor, Mvt III
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In FE1 the last note of the triplet is printed a third higher, by mistake, as a b1. The mistake was corrected in FE2, perhaps by Chopin. category imprint: Differences between sources issues: Errors in FE , Terzverschreibung error , Authentic corrections of FE |
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b. 296
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composition: Op. 21, Concerto in F minor, Mvt III
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The clear wedge of A is certainly the only authentic version of the markings of the 1st crotchet in the bar. category imprint: Differences between sources issues: Errors in FE , Inaccuracies in GE , GE revisions |