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b. 213-214

composition: Op. 31, Scherzo in B♭ minor

No indication in A (→FE→EE)

dolce in bar 213 in FC (→GE1)

dolce in bar 214 in GE2 (→GE3)
..

In the main text we add the dolce indication written in b. 213 by Chopin in FC (→GE1). In subsequent GE the indication was moved to b. 214, probably by analogy with b. 81-82. See also the next note.

category imprint: Differences between sources; Corrections & alterations

issues: GE revisions , Authentic corrections of FC

b. 213-214

composition: Op. 31, Scherzo in B♭ minor

No sign in A (→FE→EE)

 in FC (→GE1)

Shorter  in GE2 (→GE3)
..

In the main text we add the  mark entered by Chopin into FC (→GE1). In subsequent GE, like in analogous b. 81-82, the mark was arbitrarily moved and shortened.

category imprint: Differences between sources; Corrections & alterations

issues: GE revisions , Authentic corrections of FC

b. 213

composition: Op. 2, Variations, complete

..

In A both the  raising b2 to b2 and the flats restoring b1 and b2 are absent. The accidentals were added by GE (→FE,EE,FESB). Similar inaccuracies and mistakes are also in analogous bars 233 and 237.

category imprint: Interpretations within context; Differences between sources

issues: Accidentals in different octaves , Omissions to cancel alteration , GE revisions , Errors of A

b. 213-215

composition: (Op. 4), Sonata in C minor, Mvt I

..

In the main text we add cautionary flats to a1-a2 in bar 213 and to a2-a3 in bar 215.

category imprint: Editorial revisions

b. 213

composition: (Op. 4), Sonata in C minor, Mvt I

..

In A the  raising f1 to f1 is missing. Chopin's mistake, patent in this context, was rectified by GE (→FE,EE,IE).

category imprint: Interpretations within context; Differences between sources

issues: GE revisions , Omission of current key accidentals , Errors of A