b. 243
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composition: Op. 21, Concerto in F minor, Mvt I
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The accent over the sixth in the L.H. in the middle of the bar was overlooked in GE1 (→FE→EE) and returned in GE2 in the form of a sign at the height of the previous sign. The notation of A is quite ambiguous here, yet Chopin clearly assigned the accent to the part of the L.H. in a similar figure two bars later. category imprint: Graphic ambiguousness; Differences between sources issues: Errors in GE , GE revisions |
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b. 243
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composition: Op. 21, Concerto in F minor, Mvt I
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FE1 has an erroneous c2 instead of an e2 as the 5th semiquaver. The mistake was corrected in FE2 (→EE). category imprint: Interpretations within context; Differences between sources issues: Errors in FE , Terzverschreibung error , FE revisions |
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b. 243
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composition: Op. 21, Concerto in F minor, Mvt I
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In A (→GE→FE) there is no before the 8th semiquaver (d3). This patent inaccuracy was corrected only in EE. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE , Accidentals in different octaves , Errors in GE , Omission of current key accidentals , Inaccuracies in A |
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b. 243-245
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composition: Op. 21, Concerto in F minor, Mvt I
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The absence of signs in bars 243 and 245 in GE1 (→FE→EE) is certainly a mistake. The signs were added in GE2. category imprint: Differences between sources issues: Errors in GE , GE revisions |
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b. 243-244
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composition: Op. 21, Concerto in F minor, Mvt III
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There is an evident non-compliance of the part of the L.H. in A with the cello and double bass sequence in Morch within ½A: category imprint: Differences between sources; Corrections & alterations issues: Accompaniment changes , Authentic corrections of FE , Authentic corrections of GE |