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b. 180

composition: Op. 43, Tarantella

 
 
 
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In b. 180 the initial theme of the piece returns. Similarly to b. 4 (and repeat in b. 12) we add a slur extending over to the next bar. The same was done only in GE4.

category imprint: Interpretations within context; Differences between sources; Editorial revisions

issues: GE revisions

b. 180

composition: Op. 43, Tarantella

 
 
..

In FC3 (→FEIE), EE c1 minim in RH is not dotted.

category imprint: Differences between sources

issues: Inaccuracies in FC

b. 180

composition: Op. 43, Tarantella

..

In A the second beat of the LH in b. 180 is not written out. What appears in this place is beat repetition mark.

category imprint: Differences between sources; Source & stylistic information

issues: Abbreviated notation of A

b. 180-183

composition: Op. 39, Scherzo in C♯ minor

Slur in EE and FE

 
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In GC (→GE) the slur ends above the last chord of bar 182. This is most probably an innacuracy, as in bars 166 and 174.

category imprint: Differences between sources

issues: Inaccuracies in GC

b. 180

composition: Op. 38, Ballade in F major

Slur in A (→FE,GCGE)

No slur in EE

..

In A in the R.H. there is a slur embracing the first two semiquavers in bar 180 - the slur was repeated in GC (→GE) and FE. An analogous situation takes place in bar 184 - in this bar the slur appears only in A and GC.

category imprint: Differences between sources