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b. 180
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composition: Op. 35, Sonata in B♭ minor, Mvt I
category imprint: Differences between sources issues: Errors in FE , Terzverschreibung error , FE revisions |
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b. 180
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composition: Op. 21, Concerto in F minor, Mvt I
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In A (→GE1→FE) there are no naturals before the trilled d3 in the R.H. and the topmost note of the 3rd crotchet in the L.H. The sign in the R.H. was added in EE1 (→EE2), whereas GE2 and #GE3 include the fully correct notation. category imprint: Differences between sources issues: EE revisions , GE revisions , Omission of current key accidentals , Inaccuracies in A |
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b. 180
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composition: Op. 21, Concerto in F minor, Mvt III
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Replacing the whole-bar slur of A with a slur embracing only the triplet is undoubtedly an arbitrary decision of the engraver of GE1 (→FE→EE). The authentic notation was restored in GE2. category imprint: Differences between sources issues: GE revisions |
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b. 180-181
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composition: Op. 11, Concerto in E minor, Mvt III
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The fingering visible in FEH was written here probably first by the pupil and then changed and completed. The correction, performed by a different hand than the original entry and similar to Chopin's handwriting, allows us to evaluate the authenticity of the later entry to be highly likely, hence we give it in the main text. category imprint: Differences between sources |
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b. 180
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composition: Op. 31, Scherzo in B♭ minor
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The indication according to which the endings of both trills are to be performed by the L.H. only was added in FED. category imprint: Differences between sources |
