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b. 243-244
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composition: Op. 21, Concerto in F minor, Mvt III
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Starting the slur already from the 1st crotchet in GE1 (→FE→EE) is a typical inaccuracy of the engraver of GE1. category imprint: Differences between sources issues: Inaccuracies in GE , GE revisions |
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b. 243
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composition: Op. 21, Concerto in F minor, Mvt III
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In FE the last chord has a quaver stem. The absence of rest, required if the chord was shortened, proves that it is a mistake, probably stemming from a misunderstanding at the time of implementing extensive proofreading of pitch and rhythmic values in bars 243-244. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE , Errors resulting from corrections |
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b. 243
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composition: Op. 19, Bolero
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category imprint: Differences between sources issues: EE revisions |
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b. 243
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composition: Op. 21, Concerto in F minor, Mvt III
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In A there is no category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE , GE revisions , Omission of current key accidentals , Errors of A |
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b. 243
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composition: Op. 22, Polonaise
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Just like in b. 223, in the main text we suggest adding an accent at the beginning of this bar after b. 227 and 247. category imprint: Editorial revisions |
before the 1st crotchet. The patent inadvertence was corrected in 
on the 2nd beat of the bar. It must be a side effect of an inaccurately implemented proofreading of the part of the L.H. encompassing bars 243-244. The mistake was corrected in 
