b. 243-247
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composition: Op. 22, Polonaise
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Just like in b. 223 and 227, the version of EE1 in b. 243 and 247 is probably Chopin's mistake adopted from a proof copy of FE. The natural raising a1 to a1 was added in both bars in the penultimate stage of proofreading of FE (→GE). The correction was also introduced in EE2. category imprint: Differences between sources issues: EE revisions , Omission of current key accidentals , Authentic corrections of FE , Last key signature sign |
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b. 243
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composition: Op. 23, Ballade in G minor
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The version of GE1a is most probably a mistake by the engraver, although one cannot completely exclude a revision – the cautionary to b, present in the remaining sources, is not indispensable here and could have been considered erroneous. The engraver or reviser of GE1a was similarly overly zealous in, e.g. b. 232. category imprint: Interpretations within context; Differences between sources; Editorial revisions issues: Errors in GE , Cautionary accidentals , Authentic corrections of FE , FE revisions |
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b. 243-244
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composition: Op. 2, Variations, complete
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In the main text we add cautionary flats to E-e in bar 243 and to e-e1 in bar 244, not included in any of the sources of the version for one piano. However, the accidentals are in the bassoon part of AsI, and the first one is also in the double basses and in the cellos. category imprint: Editorial revisions |
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b. 244-252
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composition: Op. 43, Tarantella
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In EE redundant was added before c1 in the LH part in bars 244, 246, 248, 250 and 252. In GE4 was only added in b. 244. category imprint: Differences between sources; Editorial revisions issues: EE revisions , GE revisions |
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b. 244-252
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composition: Op. 43, Tarantella
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We add cautionary before c2 in RH in bars 244, 246, 248, 250 and 252. Similar addition was made in EE (in all those bars) and in GE4 (only in bars 244, 246 and 248). category imprint: Differences between sources; Editorial revisions issues: EE revisions , GE revisions |