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b. 179
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composition: (Op. 4), Sonata in C minor, Mvt IV
..
In the main text we include the category imprint: Differences between sources; Editorial revisions issues: GE revisions , No pedal release mark |
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b. 179-180
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composition: (Op. 4), Sonata in C minor, Mvt IV
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The absence of all slurs between the chords in GE (→FE,EE,IE) is most probably due to inattention of the engraver of GE1. category imprint: Differences between sources issues: Errors in GE |
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b. 179
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composition: (Op. 4), Sonata in C minor, Mvt IV
..
In A the 2nd half of the bar is devoid of accidentals in the R.H. part. The inaccuracy, typical of this manuscript, was corrected in GE (→FE,EE,IE). category imprint: Interpretations within context; Differences between sources issues: Accidentals in different octaves , GE revisions , Inaccuracies in A |
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b. 179
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composition: (Op. 4), Sonata in C minor, Mvt IV
..
In A the accent mark in this bar is shorter than in analogous bar 177; however, it is highly likely that the same mark should be used in both places. This is how it was reproduced in GE, in which the accents are of the same length. Their interpretation is not obvious, yet they are clearly longer than typical short accents, e.g. in bar 153. Taking into account the above, we reproduce the discussed mark as a long accent in both sources, which we also provide in the main text. The absence of the mark in FE must be an oversight. category imprint: Graphic ambiguousness; Differences between sources issues: Long accents , Errors in FE , EE inaccuracies , |
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b. 180
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composition: Op. 43, Tarantella
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In EE category imprint: Differences between sources; Editorial revisions issues: EE revisions |
in 
was arbitrarily added at the beginning of the bar.