



b. 178
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composition: (Op. 4), Sonata in C minor, Mvt I
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In A there is not a single category imprint: Interpretations within context; Differences between sources |
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b. 179-180
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composition: Op. 39, Scherzo in C♯ minor
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Just like in bars 171-172, both asterisk marks category imprint: Differences between sources issues: Errors of GC |
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b. 179-180
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composition: Op. 38, Ballade in F major
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The omission of an accent over the a-a1 octave in bar 180 in GC (→GE) and FE (FE omitted two previous accents as well) results almost certainly from distraction caused by deletions and corrections in A – Chopin was forced to write the ultimate version of the 2nd half of bar 179 in the margin because there was not enough space over the stave. category imprint: Differences between sources issues: Errors in FE , Errors of GC |
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b. 179-180
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composition: Op. 38, Ballade in F major
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The lack of tie to g category imprint: Differences between sources issues: Errors of GC |
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b. 179
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composition: Op. 38, Ballade in F major
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In A the 2nd part of the bar in the R.H. was deleted and rewritten next to the stave. The ties sustaining d category imprint: Differences between sources; Source & stylistic information issues: Deletions in A , Inaccuracies in GC |