|
b. 241-245
|
composition: Op. 21, Concerto in F minor, Mvt I
..
In EE all accents in the R.H. in bars 241, 243 and 245 were printed as vertical ones, which was a frequent arbitrary decision of that edition. category imprint: Differences between sources issues: EE revisions , Errors in FE |
||||||||
|
b. 241
|
composition: Op. 21, Concerto in F minor, Mvt I
..
The slur of A, clearly led to the 5th quaver, was shortened in GE (→FE→EE), perhaps due to a graphical difficulty or misunderstanding of the crossed lines of the slur and the category imprint: Differences between sources issues: Inaccuracies in GE |
||||||||
|
b. 241-242
|
composition: Op. 21, Concerto in F minor, Mvt III
..
In A there are no flats lowering g1 to g category imprint: Differences between sources issues: EE revisions , Accidentals in different octaves , GE revisions , Omission of current key accidentals , Inaccuracies in A |
||||||||
|
b. 241
|
composition: Op. 21, Concerto in F minor, Mvt III
..
The missing staccato dot in GE (→FE→EE) is almost certainly a consequence of the oversight of the engraver of GE1. category imprint: Differences between sources issues: Errors in GE |
||||||||
|
b. 241-242
|
composition: Op. 21, Concerto in F minor, Mvt III
..
The missing tie of g category imprint: Differences between sources issues: Errors in GE , GE revisions , Authentic corrections of FE |
hairpin.
1 at the beginning of bar 241 and at the end of bar 242. The first of them was added already in 
