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b. 241-242

composition: Op. 16, Rondo in E♭ major

..

In FE (→EE1EE2), the beginning of a slur continued in the next bar in a new line in the R.H. is missing. The mistake was corrected in GE. In turn, in EE3, the notation is ambiguous – the reviser added a separate slur for the triplet at the end of bar 241 and left the extended beginning of the slur in bar 242.

category imprint: Differences between sources

issues: EE revisions , Errors in FE , GE revisions , EE inaccuracies , Uncertain slur continuation , Errors repeated in EE

b. 241

composition: Op. 11, Concerto in E minor, Mvt III

No mark in FE (→GE1GE2)

Wedge in EE & GE3

..

The wedge over c​​​​​​​4, added in EE and GE3, may be considered justified – cf. bar 243.

category imprint: Differences between sources

issues: EE revisions , GE revisions

b. 241-242

composition: Op. 11, Concerto in E minor, Mvt III

Fingering written into FEH

No teaching fingering

..

The fingering added in FEH to the printed Chopinesque indications complements and generalises them.

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FEH

b. 241

composition: Op. 16, Rondo in E♭ major

category imprint: Editorial revisions

b. 241-245

composition: Op. 31, Scherzo in B♭ minor

No indication in A

cresc. - - - in FCFE (→EE) & GE2 (→GE3)

cresc.in GE1

..

Chopin added five-bar crescendi both in FC (→GE; in GE1 without dashes) and the proofreading of FE (→EE), which we take into account in the main text. It is noteworthy that the additions are fully compatible unlike for the first time (b. 109-116), when they differed in the range of the indication. See also b. 246-249.

category imprint: Differences between sources; Corrections & alterations

issues: Authentic corrections of FE , Authentic corrections of FC