



b. 178-180
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composition: Op. 31, Scherzo in B♭ minor
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An earlier start of the category imprint: Differences between sources issues: Scope of dynamic hairpins , EE inaccuracies , Inaccuracies in FC |
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b. 178
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composition: Op. 23, Ballade in G minor
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One can understand the engraver of FE (→GE,EE); he did not know how to reproduce the inaccurate slur of A in the 1st half of the bar, going over the R.H. part (in A, the 2nd half of the bar is marked in an abridged manner as a repetition of the first). According to us, although the slur, when interpreted literally, reaches the c1 crotchet in the R.H. part, according to Chopin, it was supposed to encompass the L.H. half-a-bar figure and to be repeated in the 2nd half of the bar. category imprint: Graphic ambiguousness; Differences between sources issues: Errors in FE , Inaccurate slurs in A |
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b. 178
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composition: Op. 23, Ballade in G minor
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In A, Chopin shortened the rhythmic value of the b category imprint: Corrections & alterations; Source & stylistic information issues: Deletions in A , Main-line changes |
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b. 178
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composition: Op. 2, Variations, complete
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In the version intended for publication, Chopin reserved the trill for the last repetition of this phrase, bar 194. category imprint: Differences between sources; Corrections & alterations issues: Main-line changes |
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b. 178
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composition: Op. 49, Fantaisie in F minor
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As in bars 174-175, Chopin added the cresc. - - indication to A after the basis for FE had been finished, that is [FC]. In GE1 the marking was overlooked, which was corrected by GE2. See also bar 179. category imprint: Differences between sources; Corrections & alterations issues: Errors in GE , GE revisions |