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b. 239-240
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composition: Op. 44, Polonaise in F♯ minor
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In AImaz the bass sequence is placed an octave higher than in the final version, in which the interval of a tenth between the bass and the bottom notes of the R.H. chords is also kept in b. 180-181. category imprint: Corrections & alterations; Source & stylistic information issues: Bass register changes |
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b. 239-240
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composition: Op. 44, Polonaise in F♯ minor
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The absence of the L.H. slur is probably due to an oversight by the engraver of EE. category imprint: Differences between sources issues: Errors in EE |
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b. 239
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composition: Op. 2, Variations, complete
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As in bar 127, in the main text we propose in variant form (in brackets) the ending of the trill that appears in the 1st violin part in GEork (→FEork). category imprint: Editorial revisions |
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b. 240
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composition: Op. 43, Tarantella
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In IE chord crotchets in the second half of the bar are not dotted. category imprint: Differences between sources |
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b. 240
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composition: Op. 35, Sonata in B♭ minor, Mvt II
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Similarly as in bar 52, the bottom note of the 1st chord in FE1 (→FE2) is an erroneous a category imprint: Interpretations within context; Differences between sources issues: Errors in FE , GE revisions , Authentic corrections of FE , Authentic corrections of EE |
1. The patent mistake was corrected in