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b. 168
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composition: Op. 64 No 2, Waltz in C♯ minor
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The absence of pedalling in this bar is undoubtedly a mistake of the engraver of FE (→GE1op,GE1no2,EEW1). At the last appearance of this section, more mistakes in reproduction of the pedalling were committed in FE, which may be related to the necessity of working on two pages of the manuscript at the same time (cf. bars 173-174 and 188). category imprint: Differences between sources issues: EE revisions , Errors in FE , GE revisions |
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b. 168
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composition: Op. 21, Concerto in F minor, Mvt I
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The natural before the 2nd quaver in the L.H. (d), overlooked in A (→GE1→FE), was added in EE and GE2. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , GE revisions , Inaccuracies in A |
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b. 168
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composition: Op. 11, Concerto in E minor, Mvt I
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The notation of GE may be a revision or the original version, corrected in the last phase of retouching FE (→EE). In similar contexts, Chopin would use both the notation with a written-out first note of the ornament and without; he would also use, sometimes interchangeably, small quavers or semiquavers (cf. the Concerto in F minor, op. 21, the 2nd mov., bar 33 and 82 as well as bar 20 and 88). Therefore, both notations could be authentic, although in one of the mentioned examples (bar 33), the editor changed quavers to semiquavers. See also bar 523. category imprint: Differences between sources |
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b. 168-172
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composition: Op. 16, Rondo in E♭ major
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In the main text, we adopt the notation of crescendo of FE (→EE). In GE, the division into syllables and the dashes marking the range of the dynamic change were overlooked. category imprint: Differences between sources issues: GE revisions |
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b. 168
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composition: Op. 50 No. 3, Mazurka in C♯ minor
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Just like in analogous b. 160, in the main text we reproduce the mark of AF. The long accent in FE may result from Chopin's proofreading, which is indicated by the fact that EE does not contain any mark. category imprint: Differences between sources; Corrections & alterations issues: Long accents , Scope of dynamic hairpins , Authentic corrections of FE |
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