



b. 130
|
composition: Op. 43, Tarantella
..
In GE4 the third quaver in LH is f1 instead of d
Moreover, in all sources except EE there is redundant category imprint: Differences between sources issues: Terzverschreibung error , GE revisions , Cautionary accidentals |
|||||||||
b. 130
|
composition: Op. 43, Tarantella
..
In A h in LH is not dotted. In EE this note is notated as a quaver only. Compare annotation in b. 4. category imprint: Differences between sources issues: EE inaccuracies |
|||||||||
b. 130
|
composition: Op. 38, Ballade in F major
..
In A the slur in the L.H. was corrected – Chopin originally wrote one slur embracing the upper voice of the L.H. from the middle of bar 129 to the middle of bar 131, then he corrected it by dividing it into two parts in the middle of bar 130. This corrected variant was included in FE and EE, while in GC there is a version with one slur starting earlier, that is from the c quaver in the bottom voice, which was then repeated in GE. In the main text we give the corrected version of A. category imprint: Interpretations within context; Corrections & alterations issues: Inaccurate slurs in A , Inaccuracies in GC |
|||||||||
b. 130-133
|
composition: Op. 25 No 5, Etude in E minor
..
The long accent in bar 130 must have been included in [A], whereas the remaining were added by Chopin in FC and probably in the base text to EE. The added signs have a form of long accents and this is how they were recreated in EE and GE1. In later GE, they were changed to common, short accents. The signs in FC are placed more or less between the staves and they probably concern both hands. In FE, EE and GE1 they were placed under the R.H., whereas in GE2 (→GE3), another set of accents for the L.H. was added. category imprint: Differences between sources issues: Long accents , Inaccuracies in GE , GE revisions , Authentic corrections of FC |
|||||||||
b. 130
|
composition: Op. 35, Sonata in B♭ minor, Mvt I
..
We add cautionary naturals before F1-F. category imprint: Editorial revisions |