Page: 
Source: 
p. 5, b. 133-162
p. 1, b. 1-26
p. 2, b. 27-58
p. 3, b. 59-98
p. 4, b. 99-132
p. 5, b. 133-162
p. 6, b. 163-192
Main text
Main text
AI - Working autograph
AF - Autograph fair-copy
FE - French edition
FE1 - First French edition
FED - Dubois copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
EE - English edition
EE1 - First English edition
Select notes: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
AI - Working autograph
AF - Autograph fair-copy
FE - French edition
FE1 - First French edition
FED - Dubois copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
EE - English edition
EE1 - First English edition
Importance
All
Important
Main
Prezentacja
Select 
copy link PDF Main text


  b. 160

No mark in AI, GE & EE

in AF

Long accent in FE

The mark in AF, in spite of its excessive size, could be considered a long accent if it were not for an even longer mark in analogous b. 168. Due to this reason, in the main text we keep the form of this mark written in AF, which, according to Chopin, could have been supposed to emphasise not only the minim, but also its modulating continuation. The absence of the mark in EE probably means that it was overlooked in the proof copy of FE. Then the long accent printed in the finished FE would be a result of Chopin's proofreading. A similar situation can be found in b. 168.

Compare the passage in the sources »

category imprint: Graphic ambiguousness; Differences between sources

issues: Long accents, Scope of dynamic hairpins

notation: Articulation, Accents, Hairpins

Missing markers on sources: AF, AI, FE1, FED, GE1, GE2, EE1