b. 168
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composition: Op. 50 No. 3, Mazurka in C♯ minor
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In the main text we add a cautionary before d. The accidental was also added in EE. category imprint: Differences between sources; Editorial revisions |
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b. 168
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composition: Op. 44, Polonaise in F♯ minor
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The version suggested as an alternative with respect to the version of the sources is a version reconstructed on the basis of an analysis of the corrections performed by Chopin in this place in a draft of a fragment of the middle section of the Polonaise, tempo di Mazourka (AImaz). It is also compliant with the second appearance of this phrase – in b. 227. The missing d3 note, although it seems to be a minor difference, changes, however, the course of the melody, and quite significantly. The version of FE (→EE) and GE could have resulted from Chopin not having finished the corrections or from misunderstandings. category imprint: Editorial revisions |
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b. 168
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composition: Op. 44, Polonaise in F♯ minor
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We add a cautionary to d2 in the main text. category imprint: Editorial revisions |
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b. 168
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composition: Op. 2, Variations, complete
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We suggest the slur in the main text on the basis of the authentic slur in an analogous motif in b. 170 and the respective slurs in the adjacent variations, b. 128 and 200. category imprint: Editorial revisions |
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b. 168-170
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composition: Op. 2, Variations, complete
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As in b. 128-131, the fact that the bass line was not doubled an octave lower in AsI may be just a simplified version of notation. In A the doubled line was marked with con 8va, which was elaborated in the editions. category imprint: Differences between sources; Corrections & alterations issues: Bass register changes , Abbreviated octaves' notation |