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b. 167-169
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composition: Op. 23, Ballade in G minor
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The deletions visible in A allow us to try to reconstruct the earlier version provided with a different rhythm: category imprint: Corrections & alterations; Source & stylistic information issues: Corrections in A , Deletions in A |
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b. 167
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composition: Op. 2, Variations, complete
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As in bar 127, in the main text we propose in variant form (in brackets) the ending of the trill that appears in the 1st violin part in GEork (→FEork). category imprint: Editorial revisions |
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b. 168
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composition: Op. 43, Tarantella
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On the first beat of the bar there is category imprint: Differences between sources; Editorial revisions issues: EE revisions |
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b. 168
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composition: Op. 38, Ballade in F major
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As a result of an oversight, the B1-B octave in the L.H. in GC is a crotchet. The extending dots were added in GE. category imprint: Differences between sources issues: Omission of current key accidentals , Inaccuracies in GC |
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b. 168-176
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composition: Op. 42, Waltz in A♭ major
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Assuming a possible authenticity of the variants of EE in analogous bars 44, 52, 76 and 84, one has to allow application of this version also in bars 168 and 176. category imprint: Editorial revisions |
. In the final version, Chopin used this rhythmic variant in b. 115, where it works well with the change of the register that occurs in the theme's melody.
dynamic marking. However, such a marking is not justified here and since it does not exist in other sources, in the main text we present a version without the markings.
