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b. 129
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composition: Op. 22, Polonaise
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In the main text we add cautionary naturals before g3 and g. category imprint: Editorial revisions |
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b. 129-130
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composition: Op. 23, Ballade in G minor
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In A, the slur at the end of b. 129, the last on the page, clearly suggests that it should be continued, yet there is no ending thereof in b. 130. We assume – as FE (→GE,EE) did – that it reaches b category imprint: Graphic ambiguousness; Source & stylistic information |
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b. 129-134
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composition: Op. 49, Fantaisie in F minor
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In A (→GE) Chopin marked the staccato articulation for the R.H. bottom voice only in the first 2 bars of this theme (bars 127-128). These dots must be considered model indications, supposed to be followed also in subsequent bars with similar texture. On the other hand, we cannot rule out a mistake, since Chopin stopped writing dots after the line ended. Regardless of the reason for their absence, Chopin added them to [FC] or while proofreading FE, which we include in the main text. category imprint: Differences between sources issues: Authentic corrections of FE |
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b. 129
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composition: Op. 12, Variations in B♭ major
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In FE (→EE) the naturals raising g category imprint: Interpretations within context; Differences between sources issues: Errors in FE , GE revisions , Errors repeated in EE |
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b. 129-130
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composition: (Op. 4), Sonata in C minor, Mvt I
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In the main text we add a category imprint: Editorial revisions |
, the 1st crotchet in b. 130. 
suggested by the editors