mUltimate Chopin

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b. 148-154

composition: Op. 21, Concerto in F minor, Mvt III

No L.H. slurs in A

Slurs in GE (→FE→EE)
..

It cannot be excluded that the slurs in the L.H. in bars 148 and 154 in GE1 were added by Chopin. However, according to us, a revision is more likely in this case (see bars 145-160), hence we do not include them in the main text. 

category imprint: Differences between sources

issues: Authentic corrections of GE

b. 148-149

composition: Op. 16, Rondo in E♭ major

Dashes in bar 148 in FE (→EE)

No dashes in GE

Dashes up to bar 150 suggested by the editors
..

According to us, the range of stretto was inaccurately conveyed by the engraver of FE (→EE) – it should last until ritenuto. An oversight of dashes is even more likely, since bar 149 opens a new line of text. Therefore, in the main text we suggest adding dashes accordingly. In GE, there are no dashes at all, which is a frequent inaccuracy of that edition. However, in this case, if our interpretation of Chopin's intention is correct, leaving stretto alone seems to be less misleading than marking its range inaccurately.

category imprint: Differences between sources; Editorial revisions

issues: Inaccuracies in GE , Inaccuracies in FE , GE revisions , EE inaccuracies

b. 148

composition: Op. 11, Concerto in E minor, Mvt III

..

GE is missing the cautionary ​​​​​​​ before b1, which probably means that it was added in the last phase of proofreading of FE, perhaps by Chopin. Cf. bar 156.

category imprint: Differences between sources

issues: Authentic corrections of FE

b. 148-149

composition: Op. 11, Concerto in E minor, Mvt III

Fingering written into FEH

No fingering in FE (→GE)

Fontana's fingering in EE
..

The fingerings of FEH and EE differ in the initial part of the figuration – in the former the hand immediately adjusts to the ascending part of the passage (the 3rd finger implicitly on b1), while the use of the 1st finger on a1 prepares a slightly more convenient grip of the g1-e2 sixth.

category imprint: Differences between sources

issues: Annotations in teaching copies , EE revisions , Differences in fingering , Annotations in FEH

b. 148

composition: Op. 31, Scherzo in B♭ minor

No markings in A (→FE→EE)

Pedalling in FC (→GE)
..

In the main text we include the pedal change added under these bars in FC (→GE).

category imprint: Differences between sources

issues: Authentic corrections of FC