



b. 117-118
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composition: Op. 24 No. 4, Mazurka in B♭ minor
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In the main text we give the most probable reading of the slur in A. In GE (→FE→EE) the slur was stretched to embrace full beats. category imprint: Differences between sources issues: Inaccuracies in GE |
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b. 117-118
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composition: Op. 39, Scherzo in C♯ minor
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A missing tie sustaining G sharp in EE and FE is probably an oversight - cf. analogous bars 35-36 and 377-378. category imprint: Differences between sources issues: Errors in FE , Errors in EE |
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b. 117
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composition: Op. 39, Scherzo in C♯ minor
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Only GC (→GE) has the accent mark, which makes it even more difficult to determine the type of accent intended by Chopin. We assume that a long accent was meant here, as was used in analogous bar 35. category imprint: Differences between sources issues: Long accents |
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b. 117
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composition: Op. 42, Waltz in A♭ major
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The f2 note on the 4th quaver in FE0 (→FE,GE) must be considered as the engraver's error (overlooked by Chopin): all analogous places have g2. EE has the correct version with g2. category imprint: Differences between sources issues: Errors in FE , Errors in GE |
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b. 117
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composition: Op. 38, Ballade in F major
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EE overlooks the tie sustaining b in the R.H. category imprint: Interpretations within context issues: Errors in EE |