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b. 149-150
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composition: Op. 39, Scherzo in C♯ minor
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EE does not have the tie sustaining E sharp, which is probably an error. category imprint: Differences between sources issues: Errors in EE |
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b. 149
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composition: Op. 42, Waltz in A♭ major
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In GE2 (→GE3) the c1 from the chord on the 2nd crotchet was arbitrarily removed, certainly in order to homogenise it with analogous bar 157. We preserve the varied sound in these bars in accordance with FE0 (→FE,EE,FEG→GE1). category imprint: Differences between sources issues: GE revisions |
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b. 149
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composition: Op. 38, Ballade in F major
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In GC (→GE) and FE there is no decresc. in the R.H. In A it is shorter than in analogous bars 141 and 145, yet there is no reason to differentiate between the places. A similar harmonisation of these hairpins was performed in EE. category imprint: Differences between sources issues: Inaccuracies in FE , Unclear hairpins in A , Inaccuracies in GC |
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b. 149
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composition: Op. 26 No 2, Polonaise in E♭ minor
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Analogously to bar 45, we add a category imprint: Differences between sources; Editorial revisions |
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b. 149-150
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composition: Op. 35, Sonata in B♭ minor, Mvt I
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Similarly as in the previous bars, GC and FE1 (→FE2→FE3) lack seven accidentals before the notes which were previously already correctly written in another octave. These patent inaccuracies do not impede the interpretation and they were completed in the subsequent sources to a varied extent (including FED, in which a category imprint: Interpretations within context; Differences between sources issues: Annotations in teaching copies , EE revisions , Annotations in FED , Accidentals in different octaves , Inaccuracies in FE , GE revisions , FE revisions , Inaccuracies in GC |
tied in 
indication in this bar as a variant. Cf. the note in bar 45.
before the top note of the 3rd crotchet in bar 150 was added). It is only