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b. 148-149
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composition: Op. 2, Variations, complete
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In AsI these bars are marked as a repetition of b. 140-141, which we reproduce only in the graphic transcription (version "transcript") – see b. 144-147. category imprint: Differences between sources; Editorial revisions; Corrections & alterations; Source & stylistic information |
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b. 148-155
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composition: Op. 2, Variations, complete
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AsI does not contain any performance markings, on which we do not comment further on. category imprint: Differences between sources |
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b. 149
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composition: Op. 43, Tarantella
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In GE1, in the chord on the first beat in RH4 there is erroneously notated a category imprint: Interpretations within context; Differences between sources; Editorial revisions issues: Errors in GE |
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b. 149
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composition: Op. 43, Tarantella category imprint: Differences between sources; Editorial revisions issues: EE revisions |
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b. 149
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composition: Op. 43, Tarantella
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Almost the whole part of RH in this bar is illegible because of charred corners of the manuscript. We can deduce the content of this and previous bars from FC3, EE and GE1. There is no doubt about the pitch of notes as there are no differences in the sources. Only slurs and an irregular pattern of dotting crotchets in the middle voice of the whole part are problematic. In the main text we present a unified version based on b. 153. A similar situation pertains to bars 63, 92, 196, 242 and repetitions in bars 108, 157.
category imprint: Graphic ambiguousness; Differences between sources |
instead of c1.
before f1 in RH. A similar addition was made to