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b. 148
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composition: Op. 35, Sonata in B♭ minor, Mvt II
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The inaccurately vertically written notes result in GC not being entirely clear where the slur over the part of the R.H. is supposed to reach – the 2nd or the 3rd beat of the bar. In the main text we adopt the first possibility, in which the relation to the progression of the bottom voice is more significant. In the editions it was interpreted differently, which is also justified, particularly if we take into account the tenuto slur, added by Chopin in the proofreading of FE3 in bar 146. category imprint: Graphic ambiguousness; Differences between sources |
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b. 148-152
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composition: Op. 35, Sonata in B♭ minor, Mvt II
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In the sources based directly on [A] – GC and FE1 (→FE2→FE3,EE1) – four naturals raising c category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE , Errors in EE , GE revisions , Omission of current key accidentals , FE revisions , Last key signature sign , Errors of GC |
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b. 148
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composition: Op. 26 No 2, Polonaise in E♭ minor
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As in bar 44, EE added an additional slur under the chords in the R.H. category imprint: Differences between sources issues: EE revisions |
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b. 148
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composition: Op. 64 No 2, Waltz in C♯ minor
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The lack of pedalling in GE2op (→GE3op) is probably a result of a revision unifying bars 132 and 148. category imprint: Differences between sources issues: GE revisions |
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b. 148-149
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composition: Op. 21, Concerto in F minor, Mvt I
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In spite of the correction of the slur of A, which Chopin extended to the g1 crotchet, the editions embraced with it only the group of small notes. Chopin restored the correct phrasing with an entry in FED. category imprint: Differences between sources issues: Annotations in teaching copies , Annotations in FED , Inaccuracies in GE , Corrections in A |
1 to c1, in bars 148-149 and 151-152, are missing. These patent inaccuracies were corrected in 
