b. 145
|
composition: Op. 21, Concerto in F minor, Mvt I
..
None of the sources includes the correct notation of accidentals, although omissions do not impede the interpretation. In A there is no raising d1 to d1 on the 4th quaver (it is also absent before the 7th quaver) and d2 to d2 at the end of the group of demisemiquavers. In GE (→FE) the last sign was added and a before d on the 6th quaver was repeated, whereas GE2 removed the superfluous before the second b2. EE is closest to the correct notation, in which the only inaccuracy, perhaps resulting from a different approach to such situations, is a missing before d1 on the 7th quaver – a already appeared in this bar before a note at this pitch, yet in another clef (on the 4th quaver). category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , GE revisions |
||||||||
b. 145
|
composition: Op. 21, Concerto in F minor, Mvt I
..
In the main text we add a cautionary before g1. category imprint: Editorial revisions |
||||||||
b. 145-146
|
composition: Op. 21, Concerto in F minor, Mvt I
category imprint: Differences between sources |
||||||||
b. 145
|
composition: Op. 21, Concerto in F minor, Mvt I
..
The earlier division of the slur in the editions is certainly a result of distraction of the engraver of GE1, who, seeing a similarly shaped group of four notes, gave a third consecutive four-note slur. The slurs probably indicate here the following rhythmic grouping of this 18-note figure: 4-4-5-5. category imprint: Differences between sources issues: Inaccuracies in GE |
||||||||
b. 145-146
|
composition: Op. 21, Concerto in F minor, Mvt I
..
The overlooked staccato dots over G in bar 145 and A in bar 146 are certainly a mistake of GE1 (→FE→EE). GE2 added only the dot in bar 145. category imprint: Differences between sources issues: Errors in GE , GE revisions |