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b. 114

composition: Op. 2, Variations, complete

Fingering in AsI

..

In the main text we do not include the fingering of AsI due to the change of the rhythmic value of the b2 note at the beginning of the 2nd half of the bar, influencing the hand position – see the note at the beginning of this bar.

category imprint: Differences between sources; Corrections & alterations

b. 114-115

composition: Op. 2, Variations, complete

Earlier fingering in AsI

Later fingering in AsI

No fingering in A (→GEFE,EE,FESB)

Our alternative variant suggestion

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In AsI, in both bars, Chopin added a fingering with pencil; in b. 114 it was already a second version of fingering, replacing the earlier ink entry. In the main text we include the later version; as alternative solutions, we suggest the earlier version or both in a variant form.

category imprint: Differences between sources; Corrections & alterations; Source & stylistic information

issues: Differences in fingering

b. 114-115

composition: Op. 2, Variations, complete

Slurs in AsI

Staccato dots in A

Wedges in GE (→FE,EE,FESB)

..

The slurs in AsI – the only performance markings in this variation together with the wedge over c2 in b. 114 – could have a rhythmic (triplet slurs) or a motivic meaning. Anyways, Chopin abandoned them in the published version; instead, he wrote here staccato dots, which in GE1 and in the remaining editions were routinely replaced with wedges. 

category imprint: Differences between sources; Corrections & alterations

issues: GE revisions , Wedges

b. 114-115

composition: Op. 49, Fantaisie in F minor

Slur over triplet in A (→GE)

Slur from minim to crotchet in FE (→EE)

Slur from triplet to crotchet, our alternative suggestion

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In the main text we give the A (→GE) slur, the same as in analogous bar 281 in all the sources. The FE version probably resulted from Chopin's correction, hence the extended slur may be considered an equal variant. Our alternative suggestion is a compromise between the possibly authentic extension of the slur to the next bar (in accordance with the majority of the slurs in this section) and the beginning of the slur according to A, compliant with the majority of the autograph's analogous slurs in this fragment.

category imprint: Differences between sources; Corrections & alterations

issues: Authentic corrections of FE , Triplet slurs

b. 114

composition: Op. 12, Variations in B♭ major

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In FE1 (→GE1,EE) there is a g1-d2 fifth on the 5th quaver in the bar. Chopin corrected it to a g1-c2 fourth in FEO; a similar correction was also introduced by GE2.

category imprint: Differences between sources

issues: Annotations in teaching copies , Errors in FE , GE revisions , Annotations in FEO , Errors repeated in GE , Errors repeated in EE