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b. 114
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composition: (Op. 4), Sonata in C minor, Mvt IV
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The notation of the 1st crotchet in A is ambiguous – it is uncertain whether the top note (g2) is supposed to be provided with a separate stem pointing upwards, as it was interpreted in GE (→FE,EE,IE), or whether this "stem" is actually a wedge over the sixth in one-part writing. To the main text we adopt the latter, yet the version of the editions can be considered an equal variant. category imprint: Graphic ambiguousness; Differences between sources issues: Wedges , Inaccuracies in A |
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b. 115
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composition: Op. 29, Impromptu in A♭ major
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The clear staccato dot in A was recreated in GE and EE. FE has a wedge, it cannot be excluded that such a sign could have been in the lost base text. In the editions we generally have a situation in which the wedges written by Chopin were most frequently interpreted as dots. category imprint: Differences between sources |
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b. 115
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composition: Op. 29, Impromptu in A♭ major
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A (→GE) and FE have the indication sotto voce. In A one can see that Chopin corrected the original indication – category imprint: Differences between sources; Corrections & alterations issues: Corrections in A , Deletions in A |
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b. 115
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composition: Op. 29, Impromptu in A♭ major
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In EE there should be an octave doubling of the c note in the L.H. – such a notation could certainly be present in the base text of EE. category imprint: Differences between sources |
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b. 115-117
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composition: Op. 29, Impromptu in A♭ major
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EE has an additional legato slur in the L.H. in bars 115-117. category imprint: Differences between sources |
. Taking this into consideration, different indications in 
