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b. 115

composition: Op. 35, Sonata in B♭ minor, Mvt I

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In GE, there is no crotchet rest for the lower voice on the last beat, which could be the engraver's oversight (see the complete record in bars 112-114) or a revision – GE omitted the corresponding rest also in the analogous bar 107.

category imprint: Differences between sources

issues: Errors in GE

b. 115

composition: Op. 21, Concerto in F minor, Mvt I

Fingering written into FED

No teaching fingering
..

Fingering written with Chopin's hand.

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FED

b. 115

composition: Op. 21, Concerto in F minor, Mvt I

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In A there is no accidental before the penultimate semiquaver. The flat returning e2 was added in the proofreading of GE1 (→FE→EE, →GE2), perhaps on Chopin's demand. Moreover, a cautionary  was added before e1 in the L.H.

category imprint: Interpretations within context; Differences between sources

issues: Omissions to cancel alteration , Authentic corrections of GE

b. 115

composition: Op. 21, Concerto in F minor, Mvt I

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GE2 and EE3 added a cautionary  before the first b2 in the R.H. In the main text we add cautionary flats before d2 and d1 and b.

category imprint: Differences between sources; Editorial revisions

issues: EE revisions , GE revisions

b. 115-116

composition: Op. 21, Concerto in F minor, Mvt I

Continuous slur in A

2 slurs in GE
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Division of the slur at the bar line is a typical arbitrary decision of GE (→FE→EE), in this case justified by the not entirely clear notation of A at the transition between the pages.

category imprint: Graphic ambiguousness; Differences between sources

issues: Inaccuracies in GE , Inaccurate slurs in A