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b. 132-147
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composition: Op. 43, Tarantella
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In GE the slur extending over bars 132-147 was divided into two slurs with a break in b. 140. category imprint: Differences between sources issues: GE revisions |
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b. 132-136
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composition: Op. 24 No. 4, Mazurka in B♭ minor
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Originally in A bars 132 and 136 were marked in an abbreviated manner as repetitions of bars 131 and 135. category imprint: Corrections & alterations; Source & stylistic information issues: Corrections in A , Abbreviated notation of A |
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b. 132
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composition: Op. 43, Tarantella
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In GE the slur begins on the second beat of the bar. In A the slur is not marked at all due to the abbreviated notation of bars 132-147. In the main text we present the version with the slur beginning where the bar starts. category imprint: Differences between sources issues: GE revisions |
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b. 132-140
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composition: Op. 39, Scherzo in C♯ minor
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In both bars in EE the fifth a sharp-e1 is not separated fromthe entire chord. This may be either a simplified version of the manuscript or the result of its misunderstanding by the engraver. category imprint: Source & stylistic information issues: EE inaccuracies |
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b. 132
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composition: Op. 38, Ballade in F major
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The missing dot extending c in GC (→GE) is most likely a result of the copyist's oversight. The fact of sustaining this note slightly longer than in analogous bars 101 and 107 could have been related to its repetition in the middle of the previous bar. category imprint: Differences between sources issues: Inaccuracies in GC |
