



b. 107-108
|
composition: Op. 21, Concerto in F minor, Mvt I
..
In A (→GE1→FE→EE1→EE2) there is neither a category imprint: Interpretations within context; Differences between sources issues: EE revisions , Omissions to cancel alteration , GE revisions , Cautionary accidentals , Errors of A , Errors repeated in GE , Errors repeated in FE , Errors repeated in EE |
||||
b. 107
|
composition: Op. 21, Concerto in F minor, Mvt III
..
According to us, it is highly likely that the missing accent under f is Chopin's neglect. Therefore, in the main text we suggest adding a respective sign after analogous bar 105. In the face of uncertainty as to the kind of the accent employed there, we also give an alternative proposal with a short accent. category imprint: Editorial revisions |
||||
b. 107
|
composition: Op. 19, Bolero
..
In GE, there is no cautionary category imprint: Differences between sources issues: FE revisions |
||||
b. 107
|
composition: Op. 11, Concerto in E minor, Mvt I
..
When interpreted literally, the slur of Atut begins from the 2nd third in bar 107, which was repeated in FE (→EE). In turn, in GE, the beginning of the slur was moved to the beginning of the bar. The fact of beginning the slur from the 1st third, obvious from the point of view of slurring, may also be, to a certain extent, graphically justified – the slurs in bars 104 and 105, unquestionable due to the context, also begin far from the notes they apply to. category imprint: Graphic ambiguousness; Differences between sources issues: Inaccurate slurs in A , GE revisions |
||||
b. 107
|
composition: Op. 11, Concerto in E minor, Mvt I
..
In the sources, the sharps are placed also before f category imprint: Editorial revisions |