b. 132
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composition: Op. 21, Concerto in F minor, Mvt I
category imprint: Differences between sources |
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b. 132
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composition: Op. 21, Concerto in F minor, Mvt I
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Even in such a seemingly obvious situation, the engraver of GE1 separated the slurs in the middle of the bar, contrary to A and the musical sense. The extension of the first slur in FE (→EE), although it returns the range of the slur written in A, is probably another inaccuracy. category imprint: Differences between sources issues: Inaccuracies in GE , Inaccuracies in FE , GE revisions |
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b. 132
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composition: Op. 16, Rondo in E♭ major
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The accent, clearly long in FE, was shortened in GE to a typical, short mark. It is a typical inaccuracy, resulting from a routine approach to the issue of accents. category imprint: Differences between sources issues: GE revisions |
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b. 132
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composition: Op. 11, Concerto in E minor, Mvt III
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A comparison with the dynamic markings in analogous bars 136 and 140 points to an inaccurate placement of the mark in FE (→EE). In the main text, we take into account the shift of the mark adopted in GE. category imprint: Interpretations within context; Differences between sources; Editorial revisions issues: Inaccuracies in FE , GE revisions , Centrally placed marks |
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b. 132
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composition: Op. 11, Concerto in E minor, Mvt III
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The missing wedge in GE3 may be an oversight; however, it cannot be excluded that the mark was removed on purpose, taking into account the absence of similar marks in analogous bars in GE1 (→GE2). category imprint: Differences between sources issues: Errors in GE |