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b. 107
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composition: Op. 23, Ballade in G minor
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As in the previous phrase, Chopin replaced the initial short slurs of A with one longer slur while proofreading FE (→GE,EE). category imprint: Differences between sources issues: Authentic corrections of FE |
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b. 107-108
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composition: Op. 2, Variations, complete
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At the end of b. 107, it is uncertain which R.H. voices the slurs of A concern – practically, each combination of two out of three voices is possible. On the basis of a comparison with analogous b. 123, we assume that they concern the two bottom voices. This is how it was interpreted, more or less, in GE (→FE,EE), in which, however, the top slur begins only just over the last semiquaver, while the bottom one reaches d1 and not b category imprint: Graphic ambiguousness; Differences between sources issues: Inaccuracies in GE , Inaccuracies in FESB |
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b. 107-108
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composition: WN 29, Waltz in E minor
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The version of GE, in which the category imprint: Differences between sources issues: Errors in GE |
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b. 107
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composition: (Op. 4), Sonata in C minor, Mvt I
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In A there is no accidental before the last L.H. crotchet. The patent inaccuracy was corrected in GE (→FE,EE,IE). category imprint: Interpretations within context; Differences between sources issues: Accidentals in different octaves , GE revisions , Inaccuracies in A |
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b. 107-108
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composition: (Op. 4), Sonata in C minor, Mvt I
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In the main text we add cautionary accidentals in the R.H. part: a category imprint: Editorial revisions |
1 at the beginning of b. 108. The notation was further distorted in 
in b. 107 & 107/131 in 
to e
to d1 in bar 108.