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b. 132-137
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composition: Op. 35, Sonata in B♭ minor, Mvt II
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In this phrase the slur in GC (→GE) begins on the 2nd beat of bar 132, which we consider to be a possible inaccuracy, as in other similar situations, the slurs in GC generally start from the beginning of the bar. Therefore, in the main text we suggest a slur running from the beginning of the bar. The slur of EE1, in spite of having been printed most probably on the basis of Chopin addition in the base text, is certainly incomplete and most probably inaccurate (see the note to bar 137), whereas its placement over the top stave is probably related to the applied in this edition graphical layout, in which, from the 2nd beat in bar 134, the part of the R.H. is written entirely on the top stave (cf. bars 96-100). category imprint: Interpretations within context; Differences between sources issues: Errors in GE , GE revisions , EE inaccuracies , Authentic corrections of EE |
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b. 132
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composition: Op. 64 No 2, Waltz in C♯ minor
category imprint: Differences between sources; Editorial revisions issues: GE revisions |
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b. 132
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composition: Op. 64 No 2, Waltz in C♯ minor
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The addition to the slur introduced in later GE (most probably on the basis of comparison with analogous bars 20 and 148) may be considered to be justified – see bars 4 and 20. category imprint: Differences between sources issues: GE revisions |
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b. 132
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composition: Op. 35, Sonata in B♭ minor, Mvt I
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The absence of L.H. slurs in GE1 is most probably an engraver's oversight, perhaps provoked by doubts about their placement above or under the notes. The slurs were added in GE2. category imprint: Differences between sources issues: Errors in GE , GE revisions |
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b. 132-133
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composition: Op. 35, Sonata in B♭ minor, Mvt I
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Taking into account the slur – concordant in the sources – in an analogous situation in bars 124-125, we consider the shorter slur in GC (→GE) to be inaccurate. category imprint: Differences between sources issues: Inaccuracies in GC |
