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b. 107-108
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composition: Op. 31, Scherzo in B♭ minor category imprint: Differences between sources issues: Authentic corrections of FC |
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b. 107-108
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composition: Op. 31, Scherzo in B♭ minor
..
In the main text we give the two-bar pedal entered by Chopin into FC in analog. b. 239-240. FC is devoid of pedalling in the discussed bars, which is almost certainly Chopin's oversight: see the corresponding note in b. 105. In FE (→EE) there are two one-bar pedals, which may be considered an authentic variant; however, it is most likely a hastily written, less deliberate version. category imprint: Differences between sources; Corrections & alterations issues: GE revisions , Authentic corrections of FE |
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b. 107-108
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composition: Op. 44, Polonaise in F♯ minor
..
The version of GE, in which the first two bars of this phrase are in the key of B minor, must be erroneous. It is the engraver of GE1 or Chopin in [A] that could be suspected of an oversight – after b. 103-106, in the key of C category imprint: Differences between sources issues: Errors in GE , Omission of current key accidentals , Errors repeated in GE |
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b. 107
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composition: Op. 44, Polonaise in F♯ minor
..
As was the case with analogous b. 31 and 57, the slur of GE, although formally correct, is most probably inaccurate and marks a grace note and an arpeggio (written down as a vertical slur). The missing slur (arpeggio) in FE (→EE) is most probably an oversight by the copyist in [FC] or by the engraver. category imprint: Interpretations within context; Differences between sources issues: Inaccuracies in GE , Arpeggio – vertical slur |
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b. 107
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composition: Op. 44, Polonaise in F♯ minor category imprint: Differences between sources issues: EE revisions , GE revisions |
in 
1 & d
