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b. 3-4
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composition: Op. 26 No 2, Polonaise in E♭ minor
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The absence of pedalling marks in FE (→EE,GE1) is most probably an oversight of the engraver. The signs were added in GE2 (→GE3→GE4), probably on the basis of comparison with analogous places. category imprint: Differences between sources issues: Errors in FE , GE revisions |
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b. 3
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composition: Op. 26 No 1, Polonaise in C♯ minor
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In A Chopin wrote an unnecessary cautionary category imprint: Differences between sources issues: Cautionary accidentals |
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b. 3
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composition: Op. 26 No 2, Polonaise in E♭ minor
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The overlooked in A flats restoring A category imprint: Interpretations within context; Differences between sources issues: Omissions to cancel alteration , Errors of A , Authentic corrections of FE |
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b. 3
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composition: Op. 26 No 1, Polonaise in C♯ minor
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The staccato dots for the 2nd chord are rather non-authentic. They were most probably added by the revisers, perhaps as a result of misinterpretation of A – one can see a minor fleck of ink between the beam and note head of the lowest note in the R.H. Moreover, the signs were added inconsistently: FE (→GE1) includes dots only the first time (in GE1 only over the R.H.), yet they are absent in the repetition. The revisers of EE and GE2 (→GE3→GE4→GE5) added dots in both situations. category imprint: Differences between sources issues: EE revisions , GE revisions , FE revisions |
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b. 3
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composition: Op. 26 No 1, Polonaise in C♯ minor
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The first time GE1 overlooked the staccato dot for the G category imprint: Differences between sources issues: Errors in GE |
next to f
. The sign was removed in all editions, however, in 
and a
-g