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b. 3-4
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composition: Op. 10 No 6, Etude in E♭ minor
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Bar 3 in A (→FE→GE1→GE2→GE3) repeats the category imprint: Differences between sources issues: Cautionary accidentals |
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b. 3
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composition: Op. 10 No 7, Etude in C major
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The f1-g1 second in A is most probably the original version of the 3rd semiquaver. In analogous bar 36 Chopin changed it to an f1-b1 fourth already in A. The traces of corrections are also visible in bar 3, yet the f1-a category imprint: Differences between sources; Corrections & alterations issues: Corrections in A , Authentic corrections of FE |
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b. 3
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composition: Op. 10 No 7, Etude in C major
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The tie sustaining c category imprint: Differences between sources issues: Authentic corrections of FE |
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b. 3-4
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composition: Op. 10 No 7, Etude in C major
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The entire fingering in EE was added by Fontana. In the part of the R.H. it naturally stems from the fingering given by Chopin as a template in bar 1. category imprint: Differences between sources issues: EE revisions |
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b. 3-4
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composition: Op. 10 No 7, Etude in C major
category imprint: Differences between sources issues: Authentic corrections of FE |
from the 1st half of the bar before g in the 2nd half of it. The 
before f
1 third was removed, probably written by mistake. In bar 11, in which the 1st phrase appears one octave higher, the f2-b2 fourth is immediately written in 
