GE5
Main text
A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Corrected impression of GE1
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
GE5 - Fifth German edition
EE - English edition
EE2 - First English edition
EE3 - Corrected impression of EE2
EE4 - Revised impression of EE3
compare
  b. 3-11

No pedalling in A

Pedalling in FE (→GE1)

GE2 (→GE3GE4GE5)

EE

Our alternative suggestion

Below a list of pedalling of particular sources in bars 3, 11 and 51:

bar FE, GE1 GE2-5 EE
 
3                              
11                                           
51                              

According to us, it is highly unlikely that Chopin wanted to differentiate pedalling in these bars, therefore one of the entries in bars 3 and 51 is probably inaccurate. As it is hard to indicate one of them as more justified, we give alternative versions in all three places:

  • in the main text we complete the pedalling in bar 11 on the basis of bar 3. The solution is totally compliant with the base source (FE2); the version was also introduced in GE2 (→GE3GE4GE5);
  • additionally, in bars 3 and 11 we suggest marks drawn from bar 51 and in bar 51 – those from bar 3. 

As a result, the main text of the Etude includes both probably authentic pedalling versions in these bars, with a possibility of unifying all three places with the help of one change of the version.

Compare the passage in the sources »

category imprint: Interpretations within context; Differences between sources; Editorial revisions; Corrections & alterations

issues: EE revisions, Inaccuracies in FE, GE revisions, Authentic corrections of FE, No pedal release mark

notation: Pedalling

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