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b. 24-29

composition: Op. 24 No. 3, Mazurka in A♭ major

Two slurs in AI, literal reading

AI, contextual interpretation

Slur in A (→GEFEEE)

..

A (→GEFEEE) has a slur in the R.H. drawn from b flat1 in bar 24 to f1 in bar 29. It can be seen that Chopin added the closing part of the mark in order to bring it clearly to f1
in bar 29. In AI bars 25-28 are marked as a repetition of the corresponding fragment of beginning of the Mazurka and contain two two-bar slurs.

category imprint: Differences between sources; Corrections & alterations

issues: Corrections in A

b. 24

composition: Op. 24 No. 3, Mazurka in A♭ major

No  in A (→GEFEEE) or AI

Supplement proposed by the editors

..

In the sources Chopin has not marked when to release the pedal written in A (→GEFEEE) in bar 20. We add the mark  in order to avoid a suggestion of an over-sustaining of the pedal, e.g. up to the next  sign in bar 26.

category imprint: Editorial revisions

issues: No pedal release mark

b. 25-35

composition: Op. 24 No. 3, Mazurka in A♭ major

..

In AI these bars are not written out—Chopin marked them as a repetition of bars 1-11 with an indication dal segno al *. Cf. the characteristics of AI.

category imprint: Differences between sources; Source & stylistic information

b. 25

composition: Op. 24 No. 3, Mazurka in A♭ major

The rhythm in AI

The rhythm in A (→GEFEEE)

..

The even crotchets in AI are probably an original version of rhythm in this bar.

category imprint: Corrections & alterations

issues: Chopin's hesitations

b. 25-27

composition: Op. 24 No. 3, Mazurka in A♭ major

The L.H. rhythm in AI

A (→GEFEEE)

..

On the 1st beat of bars 25 & 27, AI has equal quavers in the L.H. inner voice (those bars are only marked in AI as a repetition of bars 1 & 3).

category imprint: Differences between sources; Corrections & alterations