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b. 24
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composition: Op. 24 No. 3, Mazurka in A♭ major
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In the sources Chopin has not marked when to release the pedal written in A (→GE→FE→EE) in bar 20. We add the mark category imprint: Editorial revisions issues: No pedal release mark |
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b. 25-35
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composition: Op. 24 No. 3, Mazurka in A♭ major
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In AI these bars are not written out—Chopin marked them as a repetition of bars 1-11 with an indication dal segno al *. Cf. the characteristics of AI. category imprint: Differences between sources; Source & stylistic information |
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b. 25
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composition: Op. 24 No. 3, Mazurka in A♭ major
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The even crotchets in AI are probably an original version of rhythm in this bar. category imprint: Corrections & alterations issues: Chopin's hesitations |
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b. 25-27
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composition: Op. 24 No. 3, Mazurka in A♭ major
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On the 1st beat of bars 25 & 27, AI has equal quavers in the L.H. inner voice (those bars are only marked in AI as a repetition of bars 1 & 3). category imprint: Differences between sources; Corrections & alterations |
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b. 25-31
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composition: Op. 24 No. 3, Mazurka in A♭ major
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The interpretation of the marks at the beginning of bars 25, 27 and 31 as long accents is supported by the analogy with bars 1, 3 and 7, in which Chopin in A wrote the accents in a more precise manner than he did in bars 25, 27 and 31. category imprint: Graphic ambiguousness; Interpretations within context; Differences between sources; Corrections & alterations issues: Long accents , Inaccuracies in GE , GE revisions |
in 
sign in bar 26.
in 