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b. 24-29
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composition: Op. 24 No. 3, Mazurka in A♭ major
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A (→GE→FE→EE) has a slur in the R.H. drawn from b flat1 in bar 24 to f1 in bar 29. It can be seen that Chopin added the closing part of the mark in order to bring it clearly to f1 category imprint: Differences between sources; Corrections & alterations issues: Corrections in A |
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b. 24
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composition: Op. 24 No. 3, Mazurka in A♭ major
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In the sources Chopin has not marked when to release the pedal written in A (→GE→FE→EE) in bar 20. We add the mark category imprint: Editorial revisions issues: No pedal release mark |
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b. 25-35
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composition: Op. 24 No. 3, Mazurka in A♭ major
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In AI these bars are not written out—Chopin marked them as a repetition of bars 1-11 with an indication dal segno al *. Cf. the characteristics of AI. category imprint: Differences between sources; Source & stylistic information |
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b. 25
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composition: Op. 24 No. 3, Mazurka in A♭ major
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The even crotchets in AI are probably an original version of rhythm in this bar. category imprint: Corrections & alterations issues: Chopin's hesitations |
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b. 25-27
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composition: Op. 24 No. 3, Mazurka in A♭ major
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On the 1st beat of bars 25 & 27, AI has equal quavers in the L.H. inner voice (those bars are only marked in AI as a repetition of bars 1 & 3). category imprint: Differences between sources; Corrections & alterations |