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b. 17-20

composition: Op. 24 No. 3, Mazurka in A♭ major

Possible reading of AI slurs

Another reading of AI

Slurs in A

Slurs in GE (→FEEE)

..

AI and A present here two distinctly different concepts of slurring. Slurs in AI show short, hemiola-like motifs; the beginning of the slur in bar 17 admits two interpretations. In A (→GEFEEE) Chopin continues two-bar slurs embracing a repeated rhythmic pattern. In bar 20 GE (→FEEE) mistakenly brings the slur only to the 2nd quaver.

category imprint: Graphic ambiguousness; Differences between sources; Corrections & alterations

issues: Inaccuracies in GE

b. 17-18

composition: Op. 24 No. 3, Mazurka in A♭ major

b in the chord in AI

c1 in A (→GEFEEE)

..

In AI the last chord in bar 17 contains a note b followed in the next chord by a b with a cautionary . In the main text we give c1 according to A (→GEFEEE).

category imprint: Differences between sources

issues: Enharmonic corrections

b. 17

composition: Op. 24 No. 3, Mazurka in A♭ major

..

We add a cautionary   before f.

category imprint: Editorial revisions

b. 19

composition: Op. 24 No. 3, Mazurka in A♭ major

The chord in AI

The chord in A (→GEFEEE)

..

In A (→GEFEEE) Chopin wrote b, in this context more natural than c1 appearing in AI.

 

category imprint: Differences between sources; Corrections & alterations

issues: Accompaniment changes , Enharmonic corrections , Corrections of AI

b. 19

composition: Op. 24 No. 3, Mazurka in A♭ major

..

We add a cautionary  before d flat.

category imprint: Editorial revisions