



b. 17-20
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composition: Op. 24 No. 3, Mazurka in A♭ major
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AI and A present here two distinctly different concepts of slurring. Slurs in AI show short, hemiola-like motifs; the beginning of the slur in bar 17 admits two interpretations. In A (→GE→FE→EE) Chopin continues two-bar slurs embracing a repeated rhythmic pattern. In bar 20 GE (→FE→EE) mistakenly brings the slur only to the 2nd quaver. category imprint: Graphic ambiguousness; Differences between sources; Corrections & alterations issues: Inaccuracies in GE |
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b. 17-18
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composition: Op. 24 No. 3, Mazurka in A♭ major
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In AI the last chord in bar 17 contains a note b followed in the next chord by a b category imprint: Differences between sources issues: Enharmonic corrections |
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b. 17
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composition: Op. 24 No. 3, Mazurka in A♭ major
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We add a cautionary category imprint: Editorial revisions |
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b. 19
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composition: Op. 24 No. 3, Mazurka in A♭ major
category imprint: Differences between sources; Corrections & alterations issues: Accompaniment changes , Enharmonic corrections , Corrections of AI |
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b. 19
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composition: Op. 24 No. 3, Mazurka in A♭ major
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We add a cautionary category imprint: Editorial revisions |