Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 24 No. 3, Mazurka in A♭ major
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The lack of 
indicating when to release the pedal written in A (→GE→FE→EE) in bar 20 need not be regarded an oversight. It is possible that Chopin envisaged a gradual releasing of pedal, difficult to mark precisely, or wanted to leave the way music fades out at the discretion of the performer.
category imprint: Editorial revisions
issues: No pedal release mark
notation: Pedalling
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