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b. 13

composition: Op. 24 No. 3, Mazurka in A♭ major

No indication in AI or the main text

in A (→GEFEEE)

..

Initially, all the L.H. chords in bars 13-19 were notated as crotchets and either embraced with a single slur in AI or marked with legato in bar 13 in A. Later Chopin separated in A (→GEFEEE) shorter motifs with slurs and rests. In this context the indication legato, not fully in keeping with the new articulation concept, was left supposedly by mistake. Therefore we omit that term from our main text. 

category imprint: Interpretations within context; Differences between sources; Corrections & alterations

b. 13

composition: Op. 24 No. 3, Mazurka in A♭ major

Without repeat of bars 13-36 in AI

Repeat sign in A (→GEFEEE)

..

In AI the section corresponding to bars 13-36 of the ultimate version is not repeated.

category imprint: Differences between sources; Corrections & alterations

issues: Differences in form

b. 14-16

composition: Op. 24 No. 3, Mazurka in A♭ major

..

In bars 14 and 16 we add cautionary accidentals for bg and a in the lower voice. The accidentals for b and a were added already in GE2.

category imprint: Differences between sources; Editorial revisions

issues: GE revisions

b. 15-17

composition: Op. 24 No. 3, Mazurka in A♭ major

Possible reading of the slur in AI

Another reading of AI
The slur in A (→GEFEEE)

..

The ending of the slur embracing bars 15-16 is nuclear in AI—it reaches beyond the bar line but its shape does not suggest including b1. In the main text we give the slur clearly drawn in A (→GE-FEEE).

category imprint: Differences between sources; Corrections & alterations

b. 15

composition: Op. 24 No. 3, Mazurka in A♭ major

..

Following GE2, we add a cautionary  for f1.

category imprint: Differences between sources; Editorial revisions

issues: GE revisions