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b. 12
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composition: Op. 24 No. 3, Mazurka in A♭ major
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In AI, there are even quavers here, and Chopin marked no slurring in the entire bar. Cf. bars 6 & 10. category imprint: Differences between sources; Corrections & alterations |
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b. 12
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composition: Op. 24 No. 3, Mazurka in A♭ major
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In A, the asterisk category imprint: Interpretations within context; Differences between sources issues: Inaccuracies in GE |
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b. 13-17
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composition: Op. 24 No. 3, Mazurka in A♭ major
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In bars 13-17 in AI the chords are written in the treble clef on the lower staff. In our edited text of AI the graphical arrangement of chords follows the other sources. category imprint: Differences between sources |
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b. 13
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composition: Op. 24 No. 3, Mazurka in A♭ major category imprint: Differences between sources; Corrections & alterations issues: Errors in FE |
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b. 13-20
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composition: Op. 24 No. 3, Mazurka in A♭ major
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In A (→GE→FE→EE) Chopin modified the articulation of the L.H. part in relation to AI by separating shorter motifs by means of slurs, quavers and rests. Inaccurate notation of slurs appears both in A (in bars 15, 17 & 19-20) and in the editions—in GE1 (→FE→EE) in bar 13, and in FE (→EE) also in bar 15. Moreover, GE2 introduced arbitrary supplements to the slurring in bars 12-14, 15-16 & 17-18. We propose the slurs of A, interpreted and supplemented according to the divisions indicated by the rhythmic values. category imprint: Interpretations within context; Differences between sources; Corrections & alterations issues: Inaccuracies in FE , Inaccurate slurs in A , Errors in GE , GE revisions |