|
b. 12
|
composition: Op. 24 No. 3, Mazurka in A♭ major
..
In AI, there is a double bar line before the 3rd beat of the bar. No such line, separating a new section of the Mazurka beginning here, is to be found in A (→GE→FE→EE). category imprint: Differences between sources issues: Chopin's hesitations |
||||||||||||||
|
b. 12
|
composition: Op. 24 No. 3, Mazurka in A♭ major
..
Whether the slur encompasses only the two quavers, or should be continued in bar 1 is not clear in A. In GE (→FE→EE) the slur was interpreted as a shorter one. AI has no slurs in this bar. category imprint: Interpretations within context; Differences between sources issues: Inaccurate slurs in A |
||||||||||||||
|
b. 12
|
composition: Op. 24 No. 3, Mazurka in A♭ major
..
A distinct difference in notation is barely perceptible with the authentic pedalling.
Elements crossed out in A show the following abandoned version of the first ending: category imprint: Differences between sources; Corrections & alterations issues: Corrections in A , Accompaniment changes , Main-line changes |
||||||||||||||
|
b. 12-14
|
composition: Op. 24 No. 3, Mazurka in A♭ major
..
Slurs over bars 13-14 have different versions in the sources, and each of them can be authentic. begins and ends one crotchet earlier in AI (shorter ending may result from Chopin's inaccurate notation). In GE1 (→FE→EE) the slur is preceded with an additional short slur c2-d2 in bars 12-13. Moreover, in EE the beginning of the longer slur is shifted to the note e flat2 in bar 13. In our main text we rely on A. category imprint: Differences between sources; Corrections & alterations issues: Inaccuracies in GE , Inaccuracies in FE , Authentic corrections of GE |
||||||||||||||
|
b. 12
|
composition: Op. 24 No. 3, Mazurka in A♭ major
..
In AI, there are even quavers here, and Chopin marked no slurring in the entire bar. Cf. bars 6 & 10. category imprint: Differences between sources; Corrections & alterations |
