|
b. 10-12
|
composition: Op. 24 No. 3, Mazurka in A♭ major
..
Slurs—and other performance markings—differ in AI from the later A version. In A Chopin wrote down two slurs (no account taken of a slur linked with the triplet—see below) but placed the beginning of the second one in such a way that it may be regarded as he would like to link it to the first. It was thus understood in GE (→FE→EE) which give one slur. Starting a new slur after a pause which stops the flow of music seems more natural. According to the General editorial principles, p. 16, in the main text we omit a slur over the triplet in bar 10. We also supplement a slur ending overlooked in A (→GE→FE→EE) in bar 12 (2a volta). category imprint: Graphic ambiguousness; Differences between sources; Corrections & alterations issues: Inaccurate slurs in A , Triplet slurs |
|||||||||||
|
b. 10
|
composition: Op. 24 No. 3, Mazurka in A♭ major
category imprint: Differences between sources issues: Inaccuracies in GE |
|||||||||||
|
b. 11
|
composition: Op. 24 No. 3, Mazurka in A♭ major category imprint: Differences between sources issues: Errors in FE |
|||||||||||
|
b. 11
|
composition: Op. 24 No. 3, Mazurka in A♭ major
..
The quavers in AI are marked with portato dots (under a slur). Lack of dots in A (→GE→FE→EE) means probably a change to the articulation of the bar, possibly in conjunction with the vivid separation of the closing motif in bar 12. However, it cannot be ruled out that Chopin used a slur to just single out a melodic unity and left articulation nuances at the discretion of the performer. category imprint: Differences between sources; Corrections & alterations |
|||||||||||
|
b. 11
|
composition: Op. 24 No. 3, Mazurka in A♭ major category imprint: Differences between sources issues: Inaccuracies in GE |
in 