Rhythm
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b. 44-45
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composition: Op. 27 No 2, Nocturne in D♭ major
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In A, Chopin marked with extra crotchet stems the progression c sharp-d-e flat, evidently in connection with the span of the semiquaver figures and the actual possibility of sustaining the marked notes with the fingers. In GE1 (→FE→EE) c at the beginning was mistakenly sustained instead of d at the end of bar 44. In GE2 the omitted stem for d was added. category imprint: Differences between sources issues: Inaccuracies in GE |
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b. 51
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composition: Op. 27 No 2, Nocturne in D♭ major
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The marks entered in FES (a line and a cross) point to the moment of beginning of the run that ends the trill. category imprint: Differences between sources issues: Annotations in teaching copies , Synchronization markings , Annotations in FES |
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b. 54
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composition: Op. 27 No 2, Nocturne in D♭ major
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In the figure on the 4th quaver of the bar FE (→EE) has erroneously a semiquaver rest instead of a demisemiquaver rest. category imprint: Differences between sources issues: Errors in FE |
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b. 61
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composition: Op. 27 No 2, Nocturne in D♭ major
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In GE, the four last notes of the R.H.: e flat1-f1-e flat1-d flat1, are placed - against their rhythmic values - precisely above the four last semiquavers of the L.H. (e flat-c1-g flat-A flat). FE and EE have those notes placed correctly. category imprint: Source & stylistic information issues: Inaccuracies in GE |
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b. 63-65
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composition: Op. 27 No 2, Nocturne in D♭ major
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In A (→GE) the sustaining of notes d flat with the hand is marked only in bar 64. When proofing FE (→EE), Chopin decided to extend that notation to the 2nd half of bar 63 and the entire bar 65. Cf. bars 67-69. category imprint: Differences between sources |
