Rhythm
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b. 28
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composition: Op. 27 No 2, Nocturne in D♭ major
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The additions in FED and FEFr may be regarded two versions of the same musical idea - syncopations in FEFr show the rubato performance of the quavers in FED. category imprint: Differences between sources; Corrections & alterations issues: Annotations in FED , Annotations in FEFr , Authentic post-publication changes and variants |
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b. 32
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composition: Op. 27 No 2, Nocturne in D♭ major
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We give the certainly authentic notation of A (→GE). It seems very unlikely that Chopin intentionally changed that notation in the proofing of FE (→EE). category imprint: Differences between sources issues: Inaccuracies in FE |
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b. 33
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composition: Op. 27 No 2, Nocturne in D♭ major
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At the end of the triplet tie in EE the demisemiquaver beam was accidentally omitted. We add [3] to make the rhythm of that figure more clear. category imprint: Differences between sources; Editorial revisions issues: Errors in EE |
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b. 33
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composition: Op. 27 No 2, Nocturne in D♭ major
category imprint: Differences between sources issues: Annotations in FED , Synchronization markings |
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b. 34
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composition: Op. 27 No 2, Nocturne in D♭ major
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The sources differ with regard to the form of the beam in the 2nd half of the bar. Both the graphic detail differentiating GE from the other sources (the placement of the demisemiquaver beam) and the easy to correct mistake of FE (→EE) – the last sixth having the value of a quaver – have no bearing on the interpretation of the text. category imprint: Differences between sources issues: Errors in FE , GE revisions |
