Rhythm
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b. 38-39
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composition: Op. 27 No 2, Nocturne in D♭ major
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In the L.H. part, the 2nd and the 4th semiquaver of the second half of bar 38 are placed under the second semiquavers of both R.H. triplets in GE. A similar inaccuracy can be found for the 4th and the 6th note of the L.H. in bar 39. The alignment of the notes in A is also inexact, yet this only natural for a hand-written score and does not suggest an erroneous performance. Cf. bars 35-36. category imprint: Source & stylistic information issues: Inaccuracies in GE |
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b. 38
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composition: Op. 27 No 2, Nocturne in D♭ major
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A dot extending the c sharp2 in the lower voice is missing from all the sources. The tie sustaining that note leaves no doubt as to Chopin's intentions. category imprint: Interpretations within context issues: Errors of A |
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b. 38-40
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composition: Op. 27 No 2, Nocturne in D♭ major
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Although the notation of the source is clear, there are as many as five signs in FES that show in a detailed manner the rhythmic relations of both hands. Those signs are probably meant to facilitate the a vista playing through showing the synchronization of the L.H. and the R.H. part. Cf. bar 35-36. category imprint: Differences between sources issues: Synchronization markings , Annotations in FES |
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b. 39
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composition: Op. 27 No 2, Nocturne in D♭ major
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In GE, the demisemiquaver beam in the sixth e2-c sharp3 was mistakenly omitted. This obvious mistake was rectified in FE (→EE). category imprint: Differences between sources issues: Errors in GE |
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b. 44
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composition: Op. 27 No 2, Nocturne in D♭ major
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In FE the crotchet g flat3 together with its grace note are moved to the left, so that the crotchet falls over the 2nd semiquaver of the left hand. category imprint: Source & stylistic information issues: Inaccuracies in FE |