Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
(Op. 4), Sonata in C minor
Op. 21, Concerto in F minor, Mvt II
Sources
- Semi-autograph
- Autograph of the piano part
- Manuscript of the orchestra part
- German edition
- First German edition
- Retouched impression of GE1
- Second German edition
- French edition
- First French edition
- Corrected impression of FE1
- Dubois copy
- Jędrzejewicz copy
- Stirling copy
- English edition
- First English edition
- Revised impression of EE1
- Corrected impression of EE2
FE2 - Corrected impression of FE1
| Publisher: | Maurice Schlesinger |
| Date: | VIII-IX 1836 |
| Plate number: | M.S.1940 |
| Title: | Second Concerto |
| Dedication: | Madame la Comtesse Delphine Potocka née de Komar |
Second impression of FE1, prepared soon after the first one. In the entire Concerto, ca 30 corrections were performed, mostly concerning pitch mistakes. Chopin's participation in the proofreading of FE2 is highly likely, although the majority of the changes are corrections of mistakes that anyone comparing the text with the base text could find. The proofreading probably consisted of two phases (cf. the characterization of EE1). In this movement of the Concerto, a 
lowering d1 to d
1 in bar 2 was added.
FE2 was then reissued on several occasions, with minor modifications of the cover (e.g. the price was changed). Later impressions were implemented by Schlesinger's successor, Brandus. The copy presented in mUltimate Chopin comes from 1852-1859 and its cover belongs to one of those impressions.
| Original in: | Ewa & Jeremiusz Glensk Collection, Poznań |
| Shelf-mark: | EJG 2955 |